Timothy Olson

OLSON GARDENS VII – SHADY GROVE GARDEN IS COLORFUL FOR MEMORIAL DAY

In Beaver Valley a brief spring becomes a long summer in late May. It is in this crease between spring and summer when the valley bursts in splendid  color from the fresh green tips of the conifers’s branches and leaves of the deciduous trees to the variety of colors of the flowering shrubs and wildflowers.   In Shady Grove Garden we add eye catching color to the native plants with cultivars including perennials, shrubs, annuals and flowering trees. 

Do join us in enjoying the lovely colors  in SHADY GROVE GARDEN this Memorial Day weekend.
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David Zeigler – writer – BEING CALLED PETER

David Zeigler, the photographer, is familiar to NESTER readers who enjoy his photos in the Artists category.  Less familiar is David the writer.  He has written mysteries, short stories, and essays.  In this post David writes a short piece about which he asked me, “Where do ideas like this come from?” and said “The creative process is really mysterious.”  David’s ever roving mind considers the question,”What’s in a person’s name?” in this selection, BEING CALLED PETER by  Peter Brent, a pseudonym.

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SHADY GROVE IV – GUESTS & SUMMER FUN -BY Lorelie & Tim Olson

Mid-May to Mid-September is SUMMERTIME in Beaver Valley.  In the spring wildflowers – especially lupine, balsam root and nootka roses invite us outside to enjoy the blue, yellow and rosy pink colors of the flowers and warmth of the sun.   

Right from our front door trail trails invite us to hike up the ridge, along the river  and into the forests that surround us.

Soon, friends arrive to enjoy the bounties of this place with us.

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SUSAN REYNOLDS – PAINTER – SERIES V

The goal of my paintings is to lead the viewer into my world of nature thru abstracted images. I paint because I love the process. From color, composition, line, form and intuition. I approach my work with passion and creative choices.

Landscapes, birds and animals are my current subject matter. As I paint I commune and connect with nature. In the beginning I draw what I see and it becomes what I feel.

During painting I transform familiar objects, representing them just enough for the viewer to make their own meaning from my abstraction while allowing the viewer to take time to appreciate and to personally assess.

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