OLSON FAMILY SCRAPBOOK V – THANKSGIVING FEASTS FROM 1970-2000 WITH FAMILY & FRIENDS – By Lorelie & Tim Olson
Lorelie and Tim are inviting you to enjoy photos of the Olson family from pictures in the 70’s to the 2000’s taken in 6 different homes.
ARCHIVES
The Archives contain the. dates for consecutive series of posts with the same title
OLSON GARDENS V – AUTUMN COLOR IN A COUNTRY GARDEN FEATURING FLOWERS & GROUND COVERS BY LORELIE OLSON
“In autumn, above every other season, it is possible to have a great harmony between the garden and the larger landscape of fields and meadows and roadsides.” Allen Lacy – THE GARDEN IN AUTUMN “Karl Forster” tall grass Sedge, “Karl Forster” by Maple & Pond Close up of Sedge Lacy’s photographs of autumn gardens featured
JUDY STERNBERG – QUILTER – A VIRTUAL QUILT SHOW
The featured artist in our first virtual quilt show is Judy Sternberg, a long-time quilter and member of Plain Lazy Quilters. Judy has a special talent for choosing fabrics, colors and design elements; she is also noted for her skills in stitching and appliqué. Her quilting has resulted in useful as well as beautiful fiber art, including table runners, wall hangings, baby quilts, and bed quilts.
ENJOY THE SHOW!
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CATHY ROSS – POET – “IF THE MOON ONLY CAME OUT ONCE A MONTH”
A Pacific Northwest native, I have been writing poetry over 40 years. My poems reflect a woman’s journey through the later years, with recurring themes of loss and renewal. I have read at many local poetry venues and am a member of Seattle Poets Table. My first book, If the Moon Came Out Only Once
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SUSAN REYNOLDS -PAINTER – SERIES I
The goal of my paintings is to lead the viewer into my world of nature thru abstracted images. I paint because I love the process. From color, composition, line, form and intuition. I approach my work with passion and creative choices.
Landscapes, birds and animals are my current subject matter. As I paint I commune and connect with nature. In the beginning I draw what I see and it becomes what I feel.
During painting I transform familiar objects, representing them just enough for the viewer to make their own meaning from my abstraction while allowing the viewer to take time to appreciate and to personally assess.
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